In fact, the land Utopia is founded on was once connected to a mainland, but Utopus had a channel fifteen miles wild dug between the two, perhaps because he knew that, otherwise, the Utopians would either be conquered by others or corrupted. Utopia is physically apart from other lands, just as it is spiritually apart from them. While Utopia is perhaps a kind of Paradise, it is also an island, which represents its disconnection from other societies as well as from the violence of human history. The connection between the garden and Paradise is finally strengthened by the fact that Utopia is located off the coast of the New World, that is, the Americas, which Europeans optimistically imagined to be the site of the Garden of Eden. They are, More is suggesting, closer to Paradise than their proud, warlike counterparts in Europe. The Utopians themselves, moreover, follow their founder Utopus in finely caring for their gardens, and this is one of their highest pleasures. It is as though these men, through learning, virtue, and philosophical inquiry, have been restored, if only temporarily, to Eden, there to meditate on the ideal society (Utopia, of course, also comes to read as an earthly reflection of the Heavenly Jerusalem, the perfect City of God in Heaven). In Utopia itself, Raphael Hythloday presents his dialogue of counsel and discourse on Utopia while sitting with Thomas More and Peter Giles in More’s garden in Antwerp. It also represents the idea of Paradise, where people live in perfection and happiness, just as Adam and Eve did in the Garden of Eden before disobeying God. The former represents human work and desire imposed onto, and in harmony with, the natural world. The garden and the island are two interrelated symbols in Utopia.
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